Splurge out on cool and inexpensive music...

I'm sorry if this is only relevant to my French readers, but...

Amazon has finally launched its mp3 store outside of the US, and particularly in France. In order to boost visibility, they have a promo currently with 500 albums sold for 2.99 EUR. I had a quick look thinking there wasn't going to be much of interest, but I was wrong. There's a lot of really cool stuff there. Here are a few pointers if you're feeling like splurging out:

The Folk section has:

The Jazz section has:

The Rock section has:

The World section has:

Knock yourself out! I'm off to purchase stuff I don't have yet!




















HSC09 #5: Lavach'

There comes a time in any music festival when you need a break from all the good music. Sometimes you time that break on the basis of the program, choosing to skip a particular concert, and sometimes, it just falls on you that you need the break no matter what. Unfortunately for Lavach', this break time feel for me at the beginning of their set.

I love music influences by Eastern European tradition, and so I should have been the perfect customer for Lavach's brand of Armenian Folk meets rock. The line-up was interesting, with a violin, trombone (doubling on electric guitar on some numbers), drums, harmonica and a surprising (and effective) female singer/accordion player.

So I can't quite explain why it didn't work for me. There was nothing that I found objectively wrong with Lavach's music. I felt that the first few numbers were a little lacking in energy, so used am I to listening to the dynamitic AKB, and from then on I was lost. I ended listening with a distant ear while sipping bears and chatting with various festival goers.

Still, I decided to shoot a video so that you can make your own mind:


Hot albums to buy...

A short break from my Harmonica Sur Cher write-ups. Yesterday I received an email from a musically (and harmonically) inclined friend that read:

<< I'm looking for some recommendations for some hot albums to buy. It seems like an age since I bought a decent, let alone classic album.>>

Needless to say I was very flattered that he would turn to me, and my ego being what it is, I drafted a long response with numerous comments, links to videos or reviews, etc. This morning, I suddenly realised that I could share that with my readers too. If you have been reading Musical Ramblings faithfully, most of these might be familiar to you, but I think there's a certain value in it being all gathered in one place.

So here goes:

I'm gonna go on a limb here and assume that you know Son of Dave. If you don't, this should give you a good feel for it, and I recommend both 02 and 03.

I have very eclectic tastes, so I'll try to qualify the stuff that really moved me recently so that you can sense whether it fits your paradigm or not.

I've been on a Blue Note kick. I remember you mentioning that you discovered a lot of the old jazz cats when you were a young 'un, so none of this might be new to you, but the one guy who I really dig and is a recent discovery for me is Leo Parker, a baritone player who cut two records for Blue Note and then had the stupid idea to die. His album Let Me Tell You 'bout It has really been a major discovery for me (and I'm now exploring more bari players as a consequence). There's a review I wrote here. Apart from that, Blue Note must-have records for me include Lee Morgan's Sidewinder and Art Blakey's Moanin' at the very least.

Two other jazz cats of the same era (but not on Blue Note) who I really find interesting are Mingus and Kirk. For Mingus, I would absolutely and unreservedly recommend Blues & Roots. If you don't know it, go for it, you can't but love it (and there's great bari there too!) It's harder to pick a favourite for Roland Kirk, and his stuff is way weirder. This video is a good sample of what I love about him (and features great bari, again!). If I had to pick a favourite I'd say Volunteered Slavery which has some studio and some much wilder live stuff (you can see me doing the title track theme on harp here). You might however want to check out the Live in Copenhagen (aka Kirk in Copenhagen) which has a surprise appearance by none other than SBW2!

Let's keep it at that for the old jazz. As far as recent jazz go, I really like saxophonist Skerik and particularly his short lived project Skerik's Syncopated Taint Septet. Check out this video for a taste. This a track from their studio album Husky which I really love. Another avant-garde-ish band I really like is jazz trio The Bad Plus. It's not for the faint of heart, but they're truly post rock. Probably the most accessible of their CDs is the latest which features a singer and is mostly covers of rock songs. This is them doing Pink Floyd's Comfortably Numb for a taste of their approach. If you think it's a straight cover, you haven't listened long enough. A more "classic" cover of theirs from a previous album is Smell like Teen Spirit. Still, I'd recommend For All I Care as a good start if their weirdness doesn't put you off.

Still in the jazz realm but a lot more accessible, is Avishai Cohen. I really fell for him listening to Continuo and Gently Disturbed. This is a good sample of that era. Lyrical, blending the jazz tradition with classical and oriental influences. On Cohen's recently released Aurora, he sings and the feeling is overall less jazz and more world, but I like it a lot nonetheless.

Finally, I've been digging into the modern New Orleans crowd lately. First of all, you need to check out Stanton Moore. He's the drummer from Galactic (see below) but also has a solo career that's more in the jazz vein. I dearly love his album III (reviewed here) which has some very funky horn laden stuff and some deeper, darker trio stuff with organ and guitar, including a really heart-rending version of When the Levee Breaks. Can't find a decent video of his on Youtube, so you'll have to trust me on that (and you can check the Galactic section below for a feel of his playing).

Enough with jazz. I must confess not to be a big purchaser of blues these days, and I haven't been for a good while. About the only guy that excites me in that area is Ian Siegal, and I don't think I need to introduce you to him ;-) Straying off a little bit from pure blues though is a superb duet called the Wood Brothers which features Chris Wood (of Medeski Martin & Wood fame) on double bass and Oliver Wood on guitar and vocals. Luckiest Man is from their first album Ways not to Lose (reviewed here by yours truly). Lovin' Arms if from their second album Loaded. Both are well worth checking out. Don't get them for the harp playing though.

There's a Franco-American band that's worth checking out in the Americana realm as well. They're called Moriarty and feature great instrumentation and a female vocalist that simply has a voice to die for. Private Lily is an awesome song and incidentally, that's how they play live too (huddled around a microphone). The album is called Gee, but this is a lonesome town (here's my review of a concert) and I found it for a friend in New Zealand so you should be able to find it in Britain!

To end in the blues realm, I hesitate to recommend but will anyway an album by James Blood Ulmer called Birthright, solo on electric guitar. It sounds like John Lee Hooker on acid after taking jazz harmony lessons. This video is kind of representative although the album is a lot more disturbing than this suggests, IMO.

On to rockier shores. On the safe side, you could do worse than check out John Butler, assuming you don't know him. He's like a cross between the rocky side of Ben Harper, the groove of G Love and the laid-backness of Jack Johnson but, in my opinion, superior to all three both musically and artistically. My favourite album of his is Sunrise over Sea (see review) but the latest Grand National (reviewed here) is not half bad either. Here's Zebra from the former and Better Than from the latter.

While not exactly rock, Galactic is New Orleans funk rock and you might particularly appreciate their latest studio album From the corner to the block which has guest rappers on virtually every track. For a feef of their instrumental stuff, this is a cover of Hendrix's Manic Depression shot by yours truly earlier this year, and this is a great video of them with Boots Riley. Here is a review of their latest album.

I don't know how you stand on ethnic/world musics, so I won't go in too much depth on that, but let's just name a few names: check out Amsterdam Klezmer Band if you're into raucous jewish music. Here's Opa D to give you a feel for it. If you dig it, try to find Limonchiki, and failing that, their latest CD Zaraza.

Also check out Lhasa de Sela if you don't know her. Her album Living Road is really good and mixes her Spanish, French and English influences (she sings in all three languages). This video gives you a sense of it (the song in the first half really gives me shivers every time I hear it.) She has a new album out but I haven't heard it yet.

Also in a Spanish vein, another favourite of mine is flamenco-rock band El Bicho, particularly their album II. This is De Rodillas from that album.

I could go on, there's so much stuff I've discovered these last few years, from Camel to Bojan Z, from Tool to Pedro Kouyaté. But there's probably more than enough for now. Guess you got more out of that than you expected!!! And since I spent the last two hours doing this, I want some feedback on what you like and what you don't if you pick something up from that long list!

HSC09 #2: Michel Herblin

Herblin After a stormy day of touristy things (if you're ever in that area, check out Chambord, it's simply stunning), I went down with the family to the concert hall in St Aignan for an evening of French harp, starting with probably the most French sounding harp player in France, Michel Herblin.

I have seen Michel three or four times live, and the first thing that really strikes you is his tone. It's not the in-your-face, deep and throaty sound that his often presented as the holy grail of tone in harmonica circles, it's a much more supple, velvety sound that sometimes makes you wonder if you're hearing a harmonica or a cello. Of course, Michel's chops are right up there too, but the combination of his lyrical playing and velvet tone are really something worth experiencing first hand.

On the flip side, Michel's bands are sometimes a little odd, with musicians of varying levels and not always the right frame of mind to address his demanding compositions. That wasn't the case on Thursday evening, although the keyboard player was a little stiff at times. But the rest of the band had just the right groove, between jazz and musette. Accordion player Christian Toucas is really amazing, and of course having French jazz luminary André Ceccarelli on drums is a guarantee of rhythmic flair.

The set was a mix of Michel's old staples (Gadget Boogie, Voice) and more recent compositions (Jacava, Eden Legrand) as well as a few numbers by band members including a wonderful composition by Christian Toucas (see the video below). It was a good balance and really highlighted Michel's romantic streak in just the right way. All in all a very enjoyable concert, probably the most satisfying I've ever seen of Michel.

You can find photos of that concert here, and below is the video of A Vida Da Minha Mae, the aformentioned Christian Toucas composition.


Harmonica Delight

I'm just back from Harmonica Sur Cher 2009. What an amazing week-end. 4 days of (mostly) gorgeous weather, stunning music, friendship, quality family time, and superb food. What more can you ask for (except for it to last a little longer...) I have shot tons of videos and taken even more picture, and I will post all of that in the coming weeks.

One of the things I heard several times over the week-end which had a bittersweet effect on me was "I love your podcasts, thanks for doing them." Don't get me wrong, I love being told people love it. The bitter part of it, which was my answer to most of them was "why do you wait to meet me in the flesh to tell me?"

Lately I've grown discouraged with the podcasts, mostly because I rarely if ever get any feedback. I'm a musical proselyte, I can't help wanting to share the music I find cool, but the flip side of that affliction is that you want people to tell you what they think about said music. You might not like it, incidentally, I'm still interested in hearing why. Furthermore, as I discover music associatively, I could really do with some recommendations from you as well. It would give me immense pleasure to get comments or emails saying "Hey Ben, nice podcast, have you heard such and such, they're in the same vein as these guys..."

So please, gimme some feedback on the blog, on the podcast, ideally post comments as they may be beneficial to other readers, but even if you don't, please send an occasional email!

Gutpuppet & Bill Barrett Tour Details

Just reposting an email that Bill Barrett just sent me. if you have the opportunity to check these guys out, you should not miss it for the world!

Hello There,

My brother Scot Ray & I (Gutpuppet) are heading out for a short tour of France & Belgium.
We're kicking it off at the most awesome Harmonica sur Cher in France. Then we head to Belgium to play three fine clubs 't Ey (Belsele), Crossroads (Antwerp) & 't Smiske (Asse/Brussels.)

If you haven't heard Scot, this is a chance to fix it. He's the master of all things slide.
He lives between the pitches in a place that even the brave blues steel player and sitarist fear to dwell. It's hair raising.

I have a couple of other concerts after that... in Belgium with the truly AMAZING Steven De Bruyn and The Netherlands with harmonica guru Ben Bouman.

If you're able to come to any of these, please come by and share a beer with us.

Gutpuppet
http://www.myspace.com/gutpuppet
Scot Ray (virtuosic soul slide)
& Bill Barrett (Harmonicas)


European Tour
-------------------------------------
Harmonica Sur Cher Festival
Friday, May 22nd, 7p
http://www.harmonicasurcher.com/
St. Aignan, France
--------------------
’t Ey
Sunday, May 24th, 4p
http://www.tey.be/
Koutermolenstraat 6B, Belsele,
Belsele, Belgium
---------------------------------
Crossroads
(with Ludo Beckers)
Thursday, May 28th, 8pm
Antwerp, Belgium
http://www.crossroadscafe.be/
---------------------------------
’t Smiske
Friday, May 29th, 8p
Asse /Brussels, Belgium
8€
www.tsmiske.be
--------------
Bill Barrett (with Ben Bouman)
---------------------------------
De Muse/ Harmonica Instituut
(with Ben Bouman)
Saturday, May 30th, 2-6p & 8pm
Kerkplein 12, MALDEN
Nymegen, Netherlands, 6581 AC
20€
Masterclass 2-6p & perfromance 8pm
www.harmonicainstituut.nl
---------------------
Steven De Bruyn & Bill Barrett
----------------------------------
Ham Sessions @ Michel Mast
Monday, June 1rst, 4p
Ghent, Belgium
http://www.decentrale.be/festival-ham-sessions-_23.aspx

Jason Ricci's New CD is Out!

Poster_small

HSC2009 is the place to be!!!

Bandeau2009


The Harmonica sur Cher festival has been a fixture of the French and international harmonica scene for years now. The program for this year was just released and it's simply stunning. Check it out:


On Wednesday evening (May 20th) we will have French rock band Kwak. Kwak is a quirky rock band with a mix of influences from reaggae to punk. They already played the festival back in 2006 and absolutely tore the house down. Frontman Damien Tartarella is a superb diatonic player who really blends the instrument in the whole as opposed to stand above the fray soloing. You can get a feel for their stuff here. Note that evening will be opened by local bands at the request of Kwak. Even though these bands will most likely not feature harp playing, it's a pretty cool gesture from a well known band on the circuit!

On Thursday evening (May 21st), St Aignan will greet two of the most interesting French harmonica players. Opening the evening will be Michel Herblin is somewhat known outside of France for his 90s release Matin aux Pommes which showcased the wonderful sound of his diatonic harmonica. Michel Herblin will be accompanied here by the cream of French jazz drummers André Ceccarelli, and a great band of jazz/world musicians.

Michel will be followed by another member of the fine fleur of French diatonic, heavy rock player Marko Balland. Marko's claim to fame in the early 00s was a tribute album to Jimi Hendrix which featured his heavy style of playing. He's been back in the circuit for a few years now and recently pre-released his new album Mille et Un Réveils. His brand of heavy rock is a welcome change from blues based rock harp playing.

On Friday May 22nd, there will be a free concert of classical harmonica and guitar in the afternoon. The duet is Bruno Rouillé on chromatic harmonica and Cyrille Simon on guitar. Their repertoire includes classical and contemporary music, with pieces from Fauré, Satie, Fernando Sor, Celso Machado, Béla Bartók, Franz Constant and the Buenos Aires Suite composed by Maximo Diego Pujol.

Friday evening is another great night of music with more of a world tinge to it. Opening the evening will be Bill Barrett (chromatic harmonica) and Scot Ray (slide guitars) with their world jazz duet Gutpuppet. Bill and Scot play a radical yet hauntingly evocative music that transcends genres and draws from influences literally from around the whole world. In addition, for the harmonica afficionado, Bill's rhythmic playing is something very special and not often heard. Not to mention his harmonetta and sheng playing!

The night will continue in a world mood with Lavach. Lavach define themselves as progressive fusion folk, which I guess illustrates the fact that even though their music draws heavily on folklore, especially eastern european, it's not confined by roots. Their music can sound very traditional one minute and explode into heavy rock re-reading of the theme the next. The harmonica of Emmanuel Bosser adds an aerial note to the whole.

On Saturday May 23rd we will see no less than four concerts!

During the daytime at the prévauté, Sévane and Manu respectively singer/accordion player and harmonica player from Lavach will perform as a duet, exploring klezmer, greek rebetika and other mediterranean musical genres. The blend of two reed instruments is not an easy feat to achieve, but listen to the samples, they know just how to do it!

Later, the prévauté will greet Nicholas Bacchus, backed by his friends Damien Tartarella (Kwak) and Michel Herblin. Bacchus is a great example of the new Chanson Française: cynical, provocative and humourous, his style is his own. Over the years, both Michel and Damien have backed him live, and on this unique occasion he will have them both alongside him!

The evening will then follow with two more concerts. The first one will be a wonderful exploration of African rhythms with calabash and n'goni player Pedro Kouyaté and his Maninka Transe Acoustique. Pedro Kouyaté has a prestigious carreer backing African musicians like Boubacar Traoré. His own group' is a transe project, music that makes you want to danse and forget everything else. He will be backed by top musicians himself, including the wonderful Vincent Bucher on harmonia whose credentials in playing African music (as well as blues) are extensive. Vincent came with his own band in one of the early editions of the festival and he's still fondly remembered!

Finally, the festival will be closed by the old and famous blues-rock band Nine Below Zero. You don't present Nine Below Zero, but I guess I'll try anyway. A British blues-rock band with a prestigious history going back to the 70s, Nine Below Zero have never compromised. They're still around, doing the same brand of deep-feeling, gutsy blues-rock. Their harp player Mark Feltham has played with the best of them including, but not limited to Rory Gallagher. What a show this is going to be...

I'm sorry of this all sound a little promo-ish, but I'm very excited about this year's festival, and if indeed it is the last one, I for one am going to make sure I enjoy it to its fullest! By the way, this list doesn't even mention the masterclasses, informal talks, jamming, etc. that will take place just like they do every year. On the week-end of the Ascension, from May 20-23rd, if you don't know what to do, well this is the place to be!!!

You can find any additional details about the venues, accomodation, etc. on www.harmonicasurcher.com

Sébastien Charlier's Jazz Fusion

On Friday evening, I was lucky enough to be invited in a recluse recording studio in the heart of Paris' 13th arrondissement to attend a part of the final mixing of Sébastien Charlier's next album. Sébastien, for those who don't know him, is one of the most accomplished jazz diatonic players I've heard, and a very different player than those who have emerged from the Howard Levy school of playing.

Sébastien's latest project is a jazz fusion project influences by the 70s and 80s improvisational genre mixing funk grooves, jazz improv and electronic sounding atmospheres. In keeping with this tradition, the project features, besides the usual drum and bass (played by North American luminaries), electric guitar, analog keyboards and harmonica. And even though some of the harp playing is acoustic, some of it is also heavily effect laden for a very unusual and interesting sounding style.

Sébastien thinks that the project is likely to see a commercial release in September, and let's hope it does, this is really something new in the realm of diatonic harp!

Harmonica Sur Cher Coffee Table Book

Couvlivre In order to help kickstart the financing of the next edition of the Harmonica Sur Cher festival the festival organisers have decided to release a book collecting the best pictures made by professional photographers over the years at the festival. This book not only documents the on-stage performances and the artists, but it also tracks what happens in the streets, in the bars, during breaks, masterclasses, long nights of jamming. It features the famous and the unknown, the great multitude that is gathered every year during the Ascenscion week-end in St Aignan for one reason only: their love of the harmonica.

I have already ordered my copy, and I have seen some of the proofs and it looks like it will be an awesome book. And yes, this is Jason Ricci on the cover. He didn't write fondly about France after that event, but he is remembered very fondly by the festival organisers and attendees alike. "The closest thing to seeing Jim Morrison alive" is how someone put it to me after that night.

I just wanted you to be aware of the existence of the book. The book itself costs 30 EUR, and all of that money will go to pre-financing the next edition of the festival. If you live in France, you can order the book here and either pick it up when you come to the Festival or get it shipped out to you. If you live abroad it's the same, but the cost of shipping will set you back some... The organisers told me that they will take Paypal, so that's something at least. For more specific information, contact Christophe at info@harmonicasurcher.com.

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